international magazine "intersection"
features
american dream: we like the cars that go boom!

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Marilena Astrapellou writes a two page spread on Moses' piece "American Dream: We Like the Cars That Go BOOM!!!" This is the first international article on Moses work.

St. louis' premiere weekly newpaper,
"THe RiverFront Times"
feature article on moses

kansas city based art monthly,
"reviews"
by amy west

"west end word"
review
by hugh beall

playback magazine article "life in black and white"
st. louis post-dispatch reviews "audiophile series"
alive magazine - hotlist
st. louis post-dispatch announces great rivers biennial winner

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Kristen Hinman writes a fantastic feature article on Moses. The story makes the cover and the newspaper places Moses' piece "REVOLUTION 2.0" for the cover image. Members of the art community are quoted. Ivy Cooper, art critic and professor states, "I think he has the potential to be big league" and Shannon Fitzgerald, Chief curator at Contemporary Art Museum STL says, "Moses cultivates the image of "the rogue artist", Susan Cahan professor and former curator for the Peter Norton Foundation Collection adds, "It's conceptually very interesting and very powerful."

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Art Critic, Amy West writes a glowing review of "The Audiophile Series" for the Kansas City based monthly, Reviews. She writes, "Moses, in particular, is pecular to postmodern art in that his work is crisp, straightforward, black-and-white, and object oriented. His compositions speak both figuratively and literally -- clearly and concisely. There is no double entendre, no overstated ego to extricate. He has humor, but not derision. He simply abstracts and elevates an aspect of culture that moves him. This seems to be a rare quality among today's artists, who are so busy burying meaning in an enigmatic loam that they forget to look around and place themselves within the grander scheme of things...."

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Hugh Beall, arts writer for the West End Word, reviews the Biennial....
...calling The Audiophile Series -SPIRIT ON STERIODS!

Beall goes on to write that "Moses' installation epitomizes his view of a meaningful world while encouraging viewers to explore new ways to speak with one another and act conscientiously, respecting diversity and building community."

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Rudy Zapf reviews the Great Rivers Biennial for Playback Magazine.

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St. Louis Post Dispatch Art Critic, David Bonetti, reviews the Great Rivers Biennial, a typically harsh review, he concedes, "Moses' work is the most purely visually compelling work in the show."

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"AMERICAN DREAM" MAKES THE HOTLIST IN ST. LOUIS' ALIVE MAGAZINE.

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On September 11th, 2005, the Contemporary Museum St. Louis selected Moses along with two other artists as the winners of the 2006 Great Rivers Biennial. The prize for the competition is a $15,000 cash award along with a 3 month long solo exhibition in the museum's gallery.